Owen Gleiberman

Recent Articles

Film 17 hours

‘Carlos’ Review: A Portrait of Carlos Santana Revels in His Musical Life Force
Film 3 days

‘Desperate Souls, Dark City and the Legend of Midnight Cowboy’ Review: A Documentary About What Made a New Hollywood Classic Indelible
Film 5 days

‘No Hard Feelings’ Review: Jennifer Lawrence’s Semi-Rom-Com Flirts With Risky Business but Plays It Safe
Film 7 days

Superhero Fatigue Is Real. The Cure? Make Better Movies Than ‘The Flash’

Film 1 week

Has Wes Anderson Become a Victim of His Own Aesthetic?
Film 1 week

‘Let the Canary Sing’ Review: A Documentary About Cyndi Lauper Captures Her Cracked Pop Joy, but It’s Too Celebratory to Dig Into the Drama
Film 2 weeks

‘The Blackening’ Review: The Rare Slasher Movie That’s Also an Entertaining Social Satire
Film 2 weeks

‘Bucky F*cking Dent’ Review: David Duchovny Directs and Stars in a Winning Story of Fathers, Sons, Baseball and Death
Film 2 weeks

‘Milli Vanilli’ Review: The Saga of the Infamous Pop Duo, Now Seen From the Inside, Becomes a Captivating and Moving Documentary
Film 2 weeks

‘Stan Lee’ Review: A Tasty Documentary About the Visionary of Marvel Makes the Comics Look Better Than the Movies
Film 2 weeks

‘Mending the Line’ Review: In a Moving Drama, Brian Cox and Sinqua Walls Are War Veterans Who Help Each Other Heal
Film 3 weeks

‘The Flash’ Review: Ezra Miller Is on a Bender of High Anxiety in a Movie That Starts Strong and Grows Overwrought
Film 3 weeks

‘Transformers: Rise of the Beasts’ Review: A Less Bombastic, More Relatable Sequel Shows That There’s Still Life in the Machine

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